Eyebeam/White Building 2014

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Eyebeam/White Building 2014 Residency Open Call


APPLICATION DEADLINE: All applications must be received by 12PM (noon) on September 13, 2013. Applicants will be informed of their application status by late November, 2013.

Calling all artists, engineers, designers, and creative technologists!

Eyebeam is teaming up with The White Building to create a New York / London residency with a focus on critical issues in new media. The five-month residency will begin in January 2014.

Working with: Omar KholeifRoddy Schrock

Start Date:  January, 2014

RESIDENCY SUMMARY: The 5-month residency will begin in mid January (negotiable start date) of 2014 and run through June of 2014, the first half of the time will be spent at The White Building, London and the second half at Eyebeam, New York. The resident will receive a stipend to be paid out over the course of the residency in connection with the achievement of specific milestones. In addition, travel between London and New York will be covered, and housing will be provided in London. The resident will not receive automatic housing in New York but will receive assistance in locating temporary housing.

OVERVIEW: The SPACE-run art centre, The White Building and Eyebeam are seeking applications from artists, engineers, designers, and creative technologists interested in being the inaugural resident in our joint residency program. The purpose of The White Building/Eyebeam Artist Residency is to support creation of new work that addresses the Focus Areas of this residency call. The new work, and the process of its creation, will be presented both at Eyebeam and The White Building, with opportunities for public presentation and discussion at both organizations.

RESIDENCY FOCUS AREAS: The resident is expected to respond to at least one of the following inquiries in their project:

1.What is the role of authenticity in the current creative situation? Digital technologies are built to reproduce themselves in perfect copies — this is antithetical to notions of single authorship. What is authentic; can there be a single author anymore?

2. What is the place of discussion around aesthetic beauty and form in contemporary technological art? Particularly, how do the formal aspects of work on the internet affect how we ‘appreciate’ and understand art? How are platforms such S[edition] and art.sy re-configuring what is digital and physical practice? Moreover, what do we say to skeptics who argue that native art produced on the internet, does not boast the same social, aesthetic, or political value as traditional forms?

3. What is the relationship of queerness to the internet? Are there implied queer trajectories in what the internet enables?

4. How is storytelling evolving across cinema and ebooks, digital novels, hyperlinked narratives etc? Or is it evolving?

5. What does it mean to collaborate across geographies? What does it mean to be close to people?

To find out more please visit the website: eyebeam.org/get-involved-residencies/calls/open-call-white-buildingeyebeam-residency-program-2014

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